Agata di Masternak’s practice unfolds through a series of interconnected projects developed over time. Each body of work functions as an autonomous yet relational chapter within a larger artistic inquiry, where painting, sculpture, and installation are approached as spatial, psychological, and mnemonic structures rather than discrete objects.

Her projects are conceived as immersive environments that invite the viewer into states of passage — between memory and presence, embodiment and absence, the personal and the collective. Material, scale, and form operate as carriers of experience, allowing each work to be entered, navigated, and physically encountered.

Rather than presenting a chronological archive, this section brings together distinct projects that reflect evolving research into memory, transformation, and the metaphysical dimensions of image-making. Each project is grounded in a specific conceptual framework and developed in dialogue with exhibition contexts, architectural space, and the viewer’s perceptual engagement.